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Fancy Weaversof the Finger LakesbyAnne BrewerAt a workshop presented by Rabbit Goody, Clarita Anderson. Diane Fagan Affleck and others in September 1986 at the Farmers Museum in Cooperstown, New York, we participants were challenged to find professional weavers of the 1830s to 1860s when we returned home. This compilation is the result of my research in the Finger Lakes Region where I lived from 1970 to 1997.
My findings included coverlets, printed advertisements of weavers in old newspapers, references to weavers in area histories, family accounts, tombstone inscriptions, and references in genealogies and in vital records. I have not included all the family information that I have of the weavers such as census records, wills, deeds. In my earlier article, Finger Lakes Weavers; Makers of Fancy Coverlets, in the July 1995 issue of the Crooked Lake Review, I wrote of James Van Ness and Ira Hadsell, two weavers in the Palmyra vicinity and of the LaTourette family who lived in Tyrone and Hector. Fancy weaving refers to fabrics, usually to coverlets, with intricate designs. The looms that could produce such designs had either a Jacquard attachment with punched cards that controlled the position of each warp thread to form the pattern, or a cylinder studded with pegs that controlled the location of each warp thread for every woof thread added. Looms so equipped were intricate and required intelligence and experience to operate. Usually these skills were learned by apprentices, as children or close relatives and were passed on in families.
Many pioneer families had looms for weaving suiting, blankets and carpeting. When these looms had four frames carrying heddles with warp threads strung through them, they could produce both plain weave and twill weave, which is more suitable for clothing because it conforms more closely to a wearers body. These looms could also produce simple geometric patterns for coverlets and table cloths. One history of Seneca County-states that Ovid township, about 10 miles square, had 6 grain mills, 7 saw mills,3 fulling mills, 2 carding machines, 9 distilleries, 4 potash works and 3 tanneries. “There are also 167 looms in families which produced 56,447 yards of cloth in 1810.” The 1876 History of Seneca County published by Everts and Ensign reports that “In 1804, Paul Goltry, in a log house, the first in present Lodi, manufactured looms, fanning mills and other articles. He jealousy guarded the secret of weaving “riddles’ for his mills, and his workshop was forbidden to his family. The mills had no castings, and would be a curiosity now.” The following advertisement appeared in the Steuben Farmers Advocate, Bath. Fancy Spread Weaving
A similar advertisement appeared Oct. 19, 1839:
A final trace of Paul Goltry in deed records of 1845 finds that he and his wife Deborah are in Dodge County, Wisconsin. The following advertisement of Jonathan Conger of Groton, NY, appeared in the Jan. 20, 1830 Ithaca Journal: WEAVING AND DYING
Directly below in the column was another weaver’s advertisement:
The proximity of these two advertisements suggest a connection between Jonathan Conger and David Pollay and in fact they were half brothers. Their mother was Phoebe Johnson. Her first husband was Jacob Conger, with whom she had at least eight children including Jonathan Conger (born 1801). Her second husband was Uriah Pollay, with whom she had at least two children including David Pollay (born 1806). Jonathan Conger taught David Pollay to weave. Jonathan worked for many years in Groton on loom improvements. David moved to Ithaca where he advertised himself as a fancy weaver. He married Sally Ann Eaton, then moved to Southport, near Elmira, where he did weaving for a time but turned to carpentry. John Conger (J. Conger) was a nephew of Jonathan Conger and did fancy weaving in Southport. Apparently they both moved about 1842 or 1843: John to Livonia, N.Y. and David to Hammondsport, N.Y. The following advertisement in the Steuben Farmer’s Advocate showed David's location as Hammondsport on May 1, 1843. Three identical advertisements were printed in 1840 for weavers in Hammondsport. One was for J. Conger & Co., another for J. Van Gordon and another for H. L. Comstock. These identical announcements suggest that someone, perhaps Jonathan Conger was promoting the sale of his looms by licensing weavers. David Pollay’s advertisement of 1843 announces that he was taking over the business of H. L. Comstock. Comstock had been reading law and went to Canandaigua to become a lawyer. He went on to distinguish himself as a lawyer and judge. David’s son Frances Conger Pollay who was born in Elmira in 1833 worked at weaving with his father in Hammondsport. Frances went with Perry to Japan in 1853, then returned to Pulteney, N.Y. and became a carriage maker. He built a conveyance for a missionary friend, Jonathan Goble, whose wife was an invalid. Some say he invented the jinricksha but that is very unlikely that his cart was the prototype jinricksha in Japan.. David gave up weaving when business declined and with his second son took up carpentry. They built many houses in Hammondsport. There were a number of weavers in Southport just below Elmira during the 1830s. Among them John Conger and David Pollay, as already mentioned, and J. S. Baker, C. S. Baker, S. G. Stryker, and a person with the last name of Tuttle. The Chemung Historical Society has four coverlets woven for Southport women: Elizabeth Tuthill 1833, Mary Evans 1834, Rebecca Whilhelm, 1836 and Mariah Seely, 1837.
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